JIHAN MCDONALD
Facilitator. Writer. Ritualist.
Beyond obvious comparisons to a snapping turtle, I do have other actual opinions regarding the Dave Chapelle Netflix special "The Closer". To save you the trouble of figuring out what the hullabaloo is all about (because for all the commentary I've read no one seemed to actually be able to articulate what the supposed joke was, for all of their defense of it...) what people are taking issue with is Dave pitting the LGBTQIA+ (which I will shorthand with queer from here on out unless referencing a specific identity within the spectrum) against the Black community in an attempt to highlight the ways that white folks in the queer community can still be downright racist while being oppressed.
I fundamentally agree with the premise of this "joke". And I thought its delivery was deeply unskillful. There's not a QTPOC (Queer/Trans Person of Color) person I know who hasn't felt the sting of that moment when a fellow queerdo with pale skin privilege chooses that privilege over visceral solidarity with their supposedly "real family". And I don't know a Black womxn who hasn't rolled their eyes at a skinny white boy/i sucking his teeth and trying to roll his neck like he learned it from his mama, which I promise you he didn't. Mainstream, which is to say white, queer culture is indebted to specifically Black, Indigenous, and Latinx womxn who have been setting the standard of fierce self-expression and self-determination for actual centuries. From hair, to clothes, to speech, it's us, commodified, whitified, and sold back to us as something outside of ourselves. And that's the problem.
Dave's "joke" fails to complete the circle. Black culture, unfortunately, cannot be understood without understanding its proximity to white culture. You cannot appreciate why Christianity is so entrenched in the Black community without understanding the role that missionaries played in the work of colonization and enslavement. Once upon a time, which wasn't that long ago, it was illegal for Black folks to express any form of joy outside of the context of attending a Christian church service. Our songs, clothes, and dances of worship were deemed devilish and proof of our soulessness- I hope the irony of that is lost on no one. Of course, the way we do with everything, we found a way to subvert it and insert it with some humane humanity, to alchemize it into something that is recognized the world over as one of the most powerful expressions of the human spirit that has been known. And the working of this magic came at a great cost, namely our indigenous frameworks of reality. Enslaved Africans were taken from all over the continent although primarily from the western coasts and when they were shackled together they were intentionally mixed up with other folks who didn't speak their language or share the same eco-cultural customs as a way of disorienting the enslaved from the inside out. This made it easier for slavers to enforce their beliefs onto them, they provided them only a single story in which to participate.
And so, while it is of little surprise, it is nonetheless disappointing when Black folks rally together to reinforce a belief system they were tortured into. This is of course in some ways a generalization as there were Black Christians before enslavement but the dogma of that Christianity was fundamentally different than the one used to justify the subjugation, rape, and torture of Black peoples as soulless chattel that existed for the sole purposes of furthering the endeavors of whiteness. The thread of Christianity I am speaking to is specifically tied to the project of cultural colonization that was systemically perpetuated against enslaved indigenous Africans on this soil. And that thread is the reason homosexuality is illegal in 34 of 55 African countries and homophobia/transphobia so deeply entwined with African-American culture.
And this is the same line of thinking I see at play with people not being able to hold space for identities that don't easily fall into mainstream, and do interpret white, categorizations of reality. That Chapelle does not specify white queer people as the target of the joke is why it fails. That the context of cultural lineage he speaks to only goes back a few decades rather than centuries is why it fails. He names that his problem has always been with white people but it is the equation of white people with queer people that erases the very same "Stonewall gang" he purports to support. It is clear that Dave has done a superficial reading of queer history to buttress his stance. And since most mainstream folks, and do read folks accultured to whiteness by choice or force who are not actively challenging it within themselves and others, know as much about the queer cultural lineage as they do about the organic chemistry of a star, most mainstream viewers can't see just how much he's missing.
And it's sad. The same people who will rally all damn day for the slightest oversight to Black culture by white culture will completely erase one of the most prominent cultures within its fold. Cuz you can't tell me for a second that the subversive fabulousness of the Black church isn't rooted in some fierce queerness. Or you can but I'll look you in your face and call you a damned fool.
What Dave misses entirely is intersectionality. His "joke" posits that there are no people who are queer And Black, or only a handful that happen to exist in one random bar he was in when he needed foil for an encounter with a white queer person. The reason that the queer community has indeed made many strides that have outpaced those of the Black community is whiteness. Think about it. The first group within the queer spectrum who were able to effectively leverage the civil rights gains that Black and Indigenous folks had been agitating for for centuries were gay white men. While of course there is a level of discrimination that two white men would face being together, they also constitute the ultimate power couple: two cisgender white men in a relationship have the financial power of an entire neighborhood of Black folks, statistically speaking. I highly recommend the documentary Flag Wars for a cultural lineage perspective on just how it is The Castro in San Francisco came to be and a lot of it had to do with the fact that white, gay men could afford to buy property whereas their bipoc and lesbian counterparts could not.
The problem is precisely that he doesn't go in enough. He rests on the surface of what would actually make what he's saying subversive rather than merely in service of a convenient narrative that paints the Black community as monolithically heterosexual, which is not only inaccurate in terms of contemporary reality but completely ignores the fact that part of the reason the Black community is so homophobic and transphobic is because of the impact of missionary zeal on "savings the souls" of Black folks who traditionally came from indigenous cultures that typically have much more space for a diversity of authentic human expression.
Dave Chapelle's genius has always been rather hit or miss in my opinion. Dave has never been particularly on point when it comes to much beyond racial politics. In this respect, he is completely average. There are heartbreakingly few Black men who are able to skewer the politics of both race and gender with equal acuity. Clayton Bigsby is one of the most brilliant pieces of social satire in the American cultural canon; talk about layers! And the disproportionate amount of time he has spent fixating on boobs and/or masturbation is mediocre at best. Which is fine. Who's infallible? No one, but let's not kid ourselves about it.
Which leaves me with my last point, which is really the whole point: I was bored. It didn't take long at all for my mind to start wandering and I found myself reaching for my phone to check-in on the internet (y'know, just to see how it was getting along without me). There was nothing that felt edgy or subversive or even really challenging in what he was saying. But then again, I live in a world where trans folks and nonbinary folks and all spectrums of queerness are normal so whatever it is that gets the mainstream in a huff rarely ruffles more than a single feather in my bubble. Lil Nas X in a wedding dress is just drag eucharist for me (S/o to the SF Night Ministry!). I fully admit to not being very clued in on normalcy and I like it that way because as long as I've been reckoning business as usual adds up to bullshit. Business as usual is patriarchy, and heteronormativity, and a lack of historical context. Business as usual is crude beyond just being gross (cuz humans Are gross, I mean, how much mucus are we?!?!), obsessed with sex and violence, and saturated at every level with the worship of money. Business as usual is killing us, and not just us fringy "weirdos", it's killing everyone and taking quite a few other living species along on this hellish handbasket ride. So no, I wasn't terribly amused. There were a couple of notes that he elicited a chuckle, but that was it.
I still go back and watch episodes of Chapelle's show sometimes. There are moments of wild brilliance and pure delight in there, especially in the first season. But I don't watch the whole series. I watch what was potent and let the rest go. And that's really the always invitation isn't it? To take what's meaningful and let the rest go. So white queer folks, take his critique of how ya'll like to jump back and forth between identities when it's convenient. And mainstreamers, take the feedback that queerness is not the equivalent of whiteness. And Black queer and trans folks, just keep being fabulous.